Gokhale’s fictional world to establish her commendable and recognizable contribution to Indian English fiction.
Keywords:
Namita Gokhale, Indian English Fiction, Feminism, Myth and Modernity, Narrative Style, Cultural Identity, Postcolonial LiteratureAbstract
Namita Gokhale regarded as one of the most varied and powerful voices in Indian English literature. Her oeuvre covers novels, short tales, essays, and editorial initiatives, expressing the intricacies of Indian society via a female lens and a thorough awareness of mythology, tradition, and modernity. This research paper critically examines Gokhale’s fictional world, with an emphasis on the thematic and stylistic qualities that position her as a significant contributor to Indian English fiction. Through the investigation of her key works—Paro: Dreams of Passion, Shakuntala: The Play of Memory, Things to Leave Behind, and The Book of Shadows—this study reveals her narrative innovations, cultural critique, and the complex interaction of gender, identity, and historical consciousness. The research seeks to put Gokhale within the broader context of Indian literary modernism and postmodernism.
References
Gokhale, Namita. the Book of Shadows. New Delhi: Penguin Books, 2001. Print.
Bhagdikar Vandana. Fiction of Namita Gokhale. New Delhi: Prestige Books International, 2015. Print.
Bharucha, Ferheiz C.C. “Paro-Dreams of Passion: Meaning through Mediocrity”. Indian Women Novelist, Set.II, Vol. 6.(ed.) R.K. Dhawan. New Delhi: Prestige Books, 1993.
Beauvoir, Simone de. the Second Sex. (trans.) H.M. Parshley. Harmondsworth; Penguin, 1983.
Ghanashyam.G.A, Manishrai L. Mukta. Women Relationships and Rebellion. New Delhi: Book Enclave, 2013. Print
Devi, Kalpana. and V.V. Subha Rao. “The Image of Modern Women in Namita Gokhale’s Gods, Graves and Grandmother.” (IJELLH), volume IV, Issue X, (2016): pp-363-358.
Ghosh, Anita. “Contemporary Indian Writing In English: Critical perception”, Edited by N.D.R.Chandra, Sarup and Sons, 2005
Gokhale, Namita. “Gods, Graves and Grandmother “Penguin Books, 2001.
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