DIALOGIC STUDY OF SHAKESPEAREAN TEXTS

Authors

  • Singh B Associate Professor, Dept. of English,C.R.A. College, Sonipat (HR)

Keywords:

Monological, Prescriptive

Abstract

The growing variety and complexity of literature owe greatly the spirit of ceaseless experimentation and innovation on the part of writers as well as critics. Preoccupied by the desire for the adequacy of language for the communication of the amorphousness of the human existence, the creative souls could not help realizing the problem of communication through the traditionalist, the Naturalist, Mimetic expressions. There are good reasons for the Modern writers to question the aptness of the conservative mode of expression which turned out too monological and fixed to give vent to the invisible layers of human psyche set against the complex world of Nature and universe

References

Bakhtin. The Dialogic Imagination: Four Essays, (ed) Michael Holquist, trans. Caryl Emerson and Michael Holquist. Austin: University of Texas Press, 1981.

Brecht, Bertolt. Brecht on Theatre, tr. and ed. John Willett. London: Bloomsbury, 2017.

Piscator. The Political Theatre. trans. Hugh Rorrison. London: Eyre Methuen, 1980.

Nietzsche. The Birth of Tragedy from the Spirit of Music. trans. Clifton P. Fadiman, The Philosophy of Nietzsche. New York: Modern Library, 1905.

Jonson, Ben. The Complete Poetry of Ben Jonson, Ed. William B. Hunter, Jr. New York: W.W. Norton & Company, 1963.

Pirandello, Luigi. Six Characters in Search of an Author. London & Toronto: J.V. Dent & Sons Limited, 1922.

Shakespeare, William. The Complete Works of Shakespeare. Calcutta: OUP, 1980.

Yeats, W.B. “Lapis Lazuli” selected poetry edited with an introduction and notes by A. Norman Jeffares. London: OUP, 1960.

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Published

2018-03-30

How to Cite

Singh, B. K. (2018). DIALOGIC STUDY OF SHAKESPEAREAN TEXTS. Universal Research Reports, 5(1), 147–154. Retrieved from https://urr.shodhsagar.com/index.php/j/article/view/502

Issue

Section

Original Research Article