UN-ARISTOTELIAN APPROACHES TO SHAKESPEARIAN TEXTS
Keywords:
Un-Aristotelian, MonosemanticAbstract
The desire to break away from the aegis of Aristotelian authority had been an intention in literary criticism even before Nietzsche appeared with his book, The Birth of Tragedy in which at loggerheads with the therapeutic effect of the response to tragedy in ‘Catharsis’ (Aristotle, 20), he conceives of its vitalising power born of its Dionysian origins. The ecstatic reality which Nietzsche calls “Dionysian urge” (Nietzsche, xx) has its origin in the profound layers of human psyche.
References
Brecht, Bertolt. Brecht on Theatre, tr. and ed. John Willett. London: Bloomsbury, 2017.
Bakhtin. The Dialogic Imagination: Four Essays, (ed) Michael Holquist, trans. Caryl Emerson and Michael Holquist. Austin: University of Texas Press, 1981.
Butcher, S.H., Aristotle’s Tgeory of Poetry and Fine Art, New Delhi: Kalyani Publishers, 2000.
Coleridge, S.T. Biographia Literaria, ed. John Shawcross. Oxford: OUP, 1907.
Holland , Norman N. The Dynamics of Literary Response. London: Penguin, 1968.
Marlowe, Christopher. The Plays. London: Wordsworth Classic, 2000.
Nietzsche, Friedrich.The Birth of Tragedy from the Spirit of Music. trans. Clifton P. Fadiman. London: Penguin, 1993.
Piscator, Erwin. The Political Theatre (1929), tr. Hugh Rorrison. London: Eyre Methuen, 1980.
Pirandello, Luigi. Six Characters in Search of an Author. London & Toronto: J.V. Dent & Sons Limited, 1922.
Scholes, Robert. Structural Fabulation: An Essay on the Fiction of the Future. Notre Dame: University of Notre Dame Press, 1975.
Shakespeare, William. The Complete Works. Calcutta: OUP, 1980.